Mirror


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Tarkovsky mixes flash-backs, historical footage and original poetry to illustrate the reminiscences of a dying man about his childhood during World War II, adolescence, and a painful divorce in his family. The story interweaves reflections about Russian history and society.

Spoilers herein. Many films allow one immediate response; you know while watching how effective it is and at the end are geared for talking or writing about what you have just seen. Others, you need to spend time with.

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This -- I am guessing here -- is because the truly great so lead our imagination that we need to heal or grow after the experience and only then assess what has happened. Surely when you are in this film, you know something special is going on: there are some true transcendences of the eye; very dimensional, surprising.

Just as you have established the field of vision and registered the one thing you expect to see, the camera moves in an unexpected manner to reveal either a completely extra or contradictory reality. Those moments thrill, but confuse at the same time because in lesser hands, this would be an excuse for noodling about with the 'story' in a superficially artsy-fartsy manner.

Only after some time can you evaluate how effectively this might have slipped between the sheets of your minds. It is a matter of some interest to me how this happens when it does. Is it a matter of the artist knowing us better than we do ourselves and slipping into our dreams unawares?

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Or is a matter of creating an attractive castle that we are drawn to and inhabit? Generally, when an artist is called 'personal,' it is thought to be the latter. But in this case, I think most of what he has done is find that universal manner of overlapping and merging that underlies the visual memory of us all. What confuses is the Soviet environment: the intensely uncoordinated industrial environment and the once fine but now dilapidated urban residences.

They transport us to a different place: the unfamiliar described in a familiar way. And if not made just for himself it was for people who shared the same world. So at least as far as the content, we are attracted to an unfamiliar castle. But so far as the 'personal' form, I think he has found something strangely cosmic. This may be the best film with Rublev of one of the three most important filmmakers in history.

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Ted's Evaluation -- 4 of 4: Every visually literate person should experience this. Start your free trial. Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet! IMDb More.

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G 1h 47min Biography , Drama 21 April Finland. A dying man in his forties remembers his past. His childhood, his mother, the war, personal moments and things that tell of the recent history of all the Russian nation. Director: Andrei Tarkovsky as Andrey Tarkovskiy. Writers: Aleksandr Misharin as A. Misharin , Andrei Tarkovsky as Andrey Tarkovskiy.


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Solaris Drama Mystery Sci-Fi. Nostalgia Ivan's Childhood Drama War. Andrei Rublev Biography Drama History. The Sacrifice Stalker Drama Sci-Fi.


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  7. A guide leads two men through an area known as the Zone to find a room that grants wishes. Persona Read More. The streamlined shape and the walnut veneer give each mirror a unique character. The frame around the bottom of the mirror forms a shelf where you can put your mobile phone or wallet. The price reflects selected options.

    Walnut veneer Selected. Product description. Do not use the frame as a shelf for candles. Product size. Care instructions. Wood Wipe dry with a clean cloth. Wipe clean with a water dampened cloth. Glass Wipe clean with a damp cloth. Use only water or window-cleaner.

    Wipe dry with a clean cloth. Environment Lead-free mirrors — No lead added in manufacturing of our mirrors. Package details.

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